Timekeeper 127 | Acrylic paint on acrylic glass 150cm x 100cm 2019 |

NORMAN O’FLYNN

NORMAN O’FLYNN (b. 1971) lives and works in Cape Town, South Africa.

He is a painter and sculptor and has participated in numerous solo and group exhibitions, residencies and workshops across the globe.

His love for an interdisciplinary approach and cross-cultural collaboration add extra pep to his distinct visual language, a vocabulary of immediately and globally recognisable imagery.

Besides private local and overseas collections, his work can also be found in corporate collections. These include Deutsche Bank, Rand Merchant Bank, Nando’s Contemporary Art (UK/Australia/South Africa), Hollard Insurance, Luciano Benetton, MTN, the University of Cape Town and more.

O’Flynn also explored blockchain technology at an early stage of its development and in April 2021 successfully sold his first NFT. Painting and sculpture remain a priority and areas that he excels in.

 “O’Flynn knows Pop to be an irresistible lure, he also knows it to be the defining symptom of human error. By trafficking inside of it, he exposes its folly and opens up its strengths. The initial image grabs you and pulls you in. Once inside, however, we are snagged in ‘unfuckery,’ words, signs, symbols that expose Pop’s corrosive lure. “  - Ashraf Jamal, arts writer and author

EDUCATION

  • 1988-1992 BA Fine Arts, Michaelis School of Fine Art, University of Cape Town, South Africa

SPECIAL HONOURS & AWARDS

  • 2017,-18,-19 Pietra Santa Sculpture Residency, Italy

  • 2016 IICD Residency, Nigeria

  • 2009 Triangle Artists’ Workshop, Beirut

  • 2007 ABSA L’Atelier finalist

  • 2006 Pro Helvetia Swiss Residency Fellowship

  • 2005 ABSA L’Atelier finalist

  • 2004 Brett Kebble Art Awards finalist

  • 2004 ABSA L’Atelier finalist

ART FAIRS

  • 2024, -23, -22, -20, -19, -18, -17, -16 Investec Cape Town International Art Fair

  • 2024, -23 RMB Latitudes Art Fair

  • 2019 Sydney Contemporary, Sydney

  • 2023, -22, -21, -19, -18, -17 Turbine Art Fair, represented by WORLDART

  • 2018 Stroke International Art Fair, Munich

  • 2018, -12, -11 FNB Johannesburg Art Fair, Johannesburg

  • 2017  SCOPE Miami, Miami

  • 2016, -17 Moniker Art Fair, London

SOLO EXHIBITIONS

  • 2023    After the stampede, WORLDART, Cape Town

  • 2022    Rules for rebels, WORLDART, Cape Town

  • 2021 Always and Always, WORLDART, Cape Town

  • 2020 LOVESICK, WORLDART, Cape Town

  • 2019 Cool and Composed. WORLDART, Cape Town

  • 2018 Timekeeper. Art Supermarket Asia, Hong Kong

  • 2018 GNOMON. WORLDART, Cape Town, South Africa

  • 2017 Better & Better. WORLDART, Cape Town, South Africa

  • 2016 The good, the bad and the BOOM! WORLDART, Cape Town, South Africa

  • 2015 BANG BANG BOOM. Diedericks Faber. Johannesburg / Cape Town, South Africa

  • 2012 Guardians. WORLDART, Cape Town, South Africa

  • 2010 Deep Down we all want to rob a Bank. Erdmann Contemporary. Cape Town, South Africa.

  • 2009 The World Needs Me. Erdmann Contemporary, Cape Town, South Africa

  • 2007 Never Too Late To Be A Man, Bell Roberts Contemporary, Cape Town, South Africa

  • 2005 The Bull and Other Stories, Bell Roberts Contemporary, Cape Town, South Africa

  • 2005 Currency, AVA, Association for Visual Art, Cape Town, South Africa

  • 2004 Behind The Tent, Thapong, Gabarone, Botswana

 

NORMAN O’FLYNN: THE AFRONAUT

NORMAN O'FLYNN: SYDNEY CONTEMPORARY 2020

NORMAN O'FLYNN: THE GOOD, THE BAD AND THE BOOM!

PUBLISHED ARTICLES

UNTOUCHABLE TRANSCENDERS OF TIME

Norman O'Flynn
Business Day May 2017

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O’FLYNN WARNS OF THE LOSS OF REAL CREATIVITY

Norman O'Flynn
Cape Times 15 May 2017

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TATTOO PORTAITS OF REALITY

Norman O’Flynn
Sunday Argus 1 May 2016

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THE GOOD THE BAD AND THE “BOOM!”

Norman O’Flynn
Ashraf Jamal March 2016

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A VIEWER REVIEWS NORMAN O’FLYNN’S SOLO EXHIBITION

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